An Afternoon in Baroque Vienna
May
15
3:30 PM15:30

An Afternoon in Baroque Vienna

Harmonia Stellarum core members Manami Mizumoto (Baroque violin) and Renée Rybolt (soprano) join Mario Aschauer to perform virtuosic fireworks by Austrian Baroque composers Attilio Ariosti, Georg Muffat, H. I. F. von Biber, Johann Joseph Fux, and Emperor Leopold I. himself.

Afterwards we will present Harmonia Stellarum's inaugural 2022/23 season at a traditional Kaffeejause with Viennese cake, coffee, and tea.

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Masterclass
Sep
21
to Sep 25

Masterclass

  • Scuola di Alto Perfezionamento (map)
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Masterclasses on the repertoire for fortepiano by Muzio Clementi and Ludwig van Beethoven at the Scuola di Alto Perfezionamento, Saluzzo (Italy), seat of the Study and Research Center of Historical Keyboards and the prestigious Laura Alvini Collection. The masterclasses are open to historical keyboardists and pianists and will take place on the fortepianos present in the school headquarters.

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Vivaldi: Le quattro stagioni
Jun
8
7:30 PM19:30

Vivaldi: Le quattro stagioni

The Four Seasons is one of Baroque legend Antonio Vivaldi’s most beloved works and is among the most popular pieces in the classical music repertoire. The piece is composed of four three-movement concertos, each resembling its respective season.  “Spring” evokes singing birds and soft breezes, the final movement of “Summer” brings to mind a thunderstorm, “Autumn” calls up a peasant dance, and “Winter” calls to mind icy rain.

Victoria Bach Festival Baroque Orchestra
Stephen Redfield, leader

Pre-concert talk with George Stauffer, 6:30 pm.

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Classical Sonatas
Nov
7
7:30 PM19:30

Classical Sonatas

WOLFGANG AMADEUS MOZART

Violin Sonata No. 21 in E minor

LUDWIG VAN BEETHOVEN

Violin Sonata No. 5 in F major, Op. 24, “Spring Sonata”

EMANUEL ALOYS FÖRSTER

Violin Sonata in E-flat major

Performers

Jonathan Godfrey, Violin
Mario Aschauer, Fortepiano

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Bach: Harpsichord Concerto / Handel: Organ Concerto
Oct
17
7:30 PM19:30

Bach: Harpsichord Concerto / Handel: Organ Concerto

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Program

Antonio Vivaldi (1678-1741)

Concerto for Strings in E minor, RV 133

Concerto for Two Cellos in G minor, RV 531

Johann Sebastian Bach (1685-1750)

Harpsichord Concerto No. 1 in D minor, BWV 1052

George Frideric Handel (1685-1759)

Organ Concerto in G minor, Op.4, No.1, HWV 289

J.S. Bach

Violin Concerto No.2 in E major, BWV 1042

Mercury Chamber Orchestra
Jonathan Godfrey, Violin
Mario Aschauer, Harpsichord and Organ
Antoine Plante, Conductor

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Italian Harpsichord Music Around 1600
Aug
30
12:00 PM12:00

Italian Harpsichord Music Around 1600

Claudio Merulo (1533–1604)
Toccata duodecimo detto sesto tuono
from: Toccate d’intavolatura d’organo … libro secondo (Rome, 1604)

Giovanni Maria Trabaci (c. 1575–1647)
Sesto tono cromatico
from: Secondo libro de ricercate (Naples, 1615)

Claudio Merulo
Content [after the chanson by T. Crecquillon]
from: Terzo libro de canzoni d’intavolatura d’organo (Venice, 1611) 

Girolamo Frescobaldi (1583–1643)
Partite sopra Follia
from: Toccate e partite d’intavolatura di cimbalo […] libro primo (Rome, 1615)

Giovanni de Macque (1548–1614)
Seconda Gagliarda
from: GB-Lbl Ms Add. 30491

Harpsichord after Giovanni Celestini (Venice, 1599) by Joel Katzman (Amsterdam, 2011), 1/4-comma meantone temperament

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Leipzig after Bach
May
18
7:30 PM19:30

Leipzig after Bach

The Houston Chamber Choir’s last concert of the 2018-2019 Season, Leipzig After Bach, provides the final piece to our diverse and entertaining season of choral music. The names Johann Doles, Johann Hiller and Johann Schicht may not register with us today but they were among those entrusted with the musical life of the Thomaskirche after the time of J.S. Bach.  Assisted by noted University of Houston scholar Jeffrey Sposato, author of the upcoming book this concert is based upon, we take a rare look into the music for chorus and orchestra of these composers whose work has been largely overshadowed by the brilliance of their illustrious predecessor. 

Houston Chamber Choir
Robert Simpson, conductor
Mario Aschauer, organ/harpsichord

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HKSNA 2019
May
12
to May 14

HKSNA 2019

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Il Gusto Italiano: Italian Style and Transalpine Exchanges in Early Keyboard Music

Annual meeting of the Historical Keyboard Society of North America at Sam Houston State University

 

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Gabrieli's Sons
May
10
7:30 PM19:30

Gabrieli's Sons

In the early seventeenth century, composers from all over the Holy Roman Empire came to Venice to study with Giovanni Gabrieli, organist at St. Mark’s. One of the choral styles they were eager to learn was the cori spezzati technique, in which two or more choirs sing in alternation. The style spread quickly and inspired composers in Italy and North of the alps. This program, designed in the format of a Vespers for St. Caecilia’s Day, traces the polychoral style in Italy, Germany, and Austria

Bach Society Houston
Sam Houston State Early Music Ensemble
Rick Erickson and Mario Aschauer, conductors

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